A Craic of the Whip - With Mr. Craic

February 26, 2026 by Dizzy Spell

English people love to sit around and talk about how Americans are monsters for letting ICE kidnap people off the streets, how Americans are monsters for even allowing Trump to be elected, without realising that their indifference to it beginning to happen within their own communities will lead to the exact same situation in England.

Being “morally superior” to America will only take you so far without direct action regarding the prevention of racist & xenophobic laws being put in place in England. Without a solution, you will end up in the exact same situation - with no excuse.

The Musos Awards 2026

February 19, 2026 by Caffy St Luce

The Musos Awards is an independent rock n roll music amplifier. “There were no “overnight successes” involved – maybe that’s a grassroots thing.” TheZineUK at Camden Electric Ballroom, February 2026.

Build Our Coordinates of Resistance: Launching The Music Tourist Board

February 02, 2026 by Dizzy Spell

The venue is a lung. A carnal architecture of subversion where the noise grows thick and wild. Today we launch the Music Tourist Board. A radical cartography to map the sanctuaries and name the exploiters. For the Zeenagers reclaiming the circuit. Find the saints. Avoid the fever. Follow the stickers. The revolution has coordinates.

We Want Them Pure and We Want Them Dirty: Celebrity Worship and Abuse

January 29, 2026 by Dizzy Spell in Music

I worshipped David Bowie because his wonky teeth made me feel better about my own. But the real wound came later. A forensic analysis of the nausea of celebrity worship, abnormal sexual psychology, and the girls we traded for guitar solos. We want them pure, and we want them dirty. This is the cost of the myth.

Ruby Blue's Red Flags: THE MYTH OF THE INDUSTRY PLANT: COMMODIFICATION & ERASURE

January 26, 2026 by Dizzy Spell

The TikTokification of music has birthed a new witch-hunt: the industry plant. This article dissects how this gendered label erases the years of labour female artists put into the grassroots circuit while distracting from the systemic collapse of the UK’s cultural infrastructure. We explore the erasure of history, the reality of label investment, and why the "plant" narrative is a weapon of gatekeeping.