Some of the most exciting bands play the punky CroCroLand all dayer which takes place at Croydon’s Fairfield Halls on Saturday 1st October. This inclusive, arty and welcoming event is also the perfect alternative launch of Croydon, London Borough Of Culture 2023.
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SHADE, EBGS, Liverpool Sound City Festival, 2 October 2021
Many musicians have 2022 plans pencilled since “post-lockdown” days. TheZineUK doc’s most recent pix-diary - July 2021 (thank you for the many reads, already) - felt like a new dawn.
Whether it was the necessity for heroic England FC to lose THAT historic match and open truth gates, or how Generation Tremorists are super-glued into this tapestry.
All ages, backgrounds and ability fused with all arts (i.e. “Nature”) = uniqulture in genre-fluid ACTion.
Here’s a live version of their newly released single, ‘Silence Of The Night’. The one-band dramarock scene are a gateway into the grassroots music (r)Evolution. Also, this summer, they were to be found supportively in the audience of their peers. Musicians, creators, connectors - organically they rise. Get Tiger Mimic on your #2022SoundsLike radar.
In the July issue, Tech (Flare Audio) and Industry (Music Venue Trust) threads are woven with Tim Burgess’s Twitter Listening Parties into must have audio-joy headphones (OK, we just photographed Tim through a window at The Great Escape 2017, but hey - it’s all meant to be).
Situationist magick also gifted us an early Freedom Day at SNCFest. Music world’s Jean Genie, is “The Bringer Of Sunshine”. She really did inspire warmth THAT hot, hot weekend! JG is so key to the new music scenes that this is key to our documenting. July’s saw Manchester’s SHADE start to bloom and lovely Denise Johnson never forgotten (while she also helped raise over £18,000 for Music Venue Trust).
TheZineUK story has declared an Interdependent Music Industrious. The elements consistently prove themselves. Sussex/Kent’s End Of The Trail and Kick Out The Jams are increasingly industry/media hook up hang outs - and more of us getting away from our home towns again. Check out the multi-tasking energy pulsing from Weekend Recovery as a great example.
Bruvs out supporting the sisters-fronted-pop star turns (Cruel Hearts Club, Cat SFX, Kin and Mango In Euphoria) who were playing Kick Out The Jams that evening. Ace to see The Gulps, Alan McGee and Carl Barat back at ArtBeat HQ (Amersham Arms) - amidst a flock of flock of industry and media. (Carl is also the venue’s Halloween DJ).
Louise Schofield and Megan Wyn, mid September 2021, This Feeling at Isle Of Wight Festival.
In September, July’s cover star, Louise Schofield, conducted a series of chats for TheZineUK at Isle Of Wight Festival’s buzzing (and then some!) This Feeling Stage - where she also DJd.
A theme of 2021 interviews from TF’s Zone is the artists talking about the art pumped newer wave of industry mixing DIY with ethics and opportunities.
Isle Of Wight Fest head, John Giddings, acknowledges This Feeling being a rung on the ladder for artists towards bigger stages.
To The Chase, Spyres, Lock-In and The Skinner Brothers interviews the Zine And Heard playlist has been updated with Tom Lumley & The Brave Liaison and Megan Wyn conversations. What is all this if not giving hope to the near future?
This month, the (very hard working and very modern) Louise - also presented for our friends, Modern Age, at SOMA Festival and for Modern Sky at Sound City Festival - then, at Manchester’s The Yard, now hosts her own music show, Spill The Sound (first guest is Julia Bardo). Joe Cross (The Courteeners) composed the defining theme music. Interdependent.
“Lullaby Lou” is a gateway into what’s really going on - as is another of our crew, Monefa Walker, who graced September with such an awesome observation: “Let Me Tell You About Artists” - click this link for the full post, it’s a 2021 classic)
Our writer and punky Music People Party host - Monefa Walker - became a released, classical music recording artist this year (on Anita Maj’s Lil Minx Records). Keira Annee photography
Continuing to cut n paste n report, especially over the last two years has created a new, super hero cross breed of emerging artists in TheZineUK.
The cast and crew keeps growing through ups and downs, life and death, changes, failures and achievements for all of us.
Aaaahh… All those cutie pie baby faces, new to this world, courtesy of our friends, urge us to keep making as much wonder in the world as possible for decades of generation tremorists and love for children of all ages.
On the artist side, everybody is brand new again from mid July 2021 and TheZineUK, as a community of creatives, is so here for it.
Big up the high profile media getting involved over the last couple of years (NME with Music Venue Trust and the FAC, while featuring rising stars Nova Twins and Bob Vylan) who are also connected to both of these essential industry shakers - (both bands have also played Amersham Arms - the latter at this weekend’s punk rocked, New Cross wide #TillTheFest).
As Diary/Events Department, I’ve lived through decades when these talents/TheZineUK team weren’t yet born - I assure you NOBODY has “seen/heard it all before”, only tedious fuckwits imagine that. Note how generation tremorists like Pint Sized Punk and MASHZINE (who stage a show in New Cross on 19th October) ain’t hung up on stale journalism values.
This year, via End Of The Trail, Roobi TV, Amersham Arms and Sound City, I’ve found myself (again!) grinning in the audience of a Polarized Eyes gig. (It’s not an accident, it’s LOVE!)
Me me me. Continued. From August to October I’ve adventured outta Deptford Fun City! It’s so emotional to return to cities that I’ve been free to visit all my life pre-pandemic. So many memories flood the senses. There are myriad artists at all levels, to soundtrack our times (including a 2022 Billie Eilish Glastonbury headline set).
TheZineUK day out, Friday 1st October!
Not a pic of the Manics but a reminder of the thrilled anticipation I was feeling, just going to the bar before their set.
(Dizzy Spell - TheZineUK Editor (NHS professional who also became a released recording artist this year) and myself Caffy - Events Department).
We were time out gal pals in Stoke On Trent for the Manics (thank you our Gill for the tickets and a right royal view).
We sang our hearts out to a rock band with decades of chart hits on top of their entertaining, and ever politically relevant, poignant, national treasure game).
Melancholic new album, ‘The Ultra Vivid Lament’, is affecting - yet uplifting.
Look out for actual Manics images in the next issues from our fab Dead End Doll, Lorna Cort (whose photography graces the Manic Street Preachers special edition of Record Collector). Gwan Zeenagers!
Oliver Clare of SHADE assisting MOSES with the kit at Sound City Festival. End Of The Trail - another industry shaker with opportunies.
I was at the buzzy AF End Of The Trail Sound City Festival stage - friendly faces and fun in EBGBs - WITH guitars.
Some of us were documenting the near future of Ones To Watch off stage in the rain, between the live sets, also.
Results coming in for ALL the line up of that day (and I’m only writing this ten days later!)
I came back from Liverpool seeing light at the end of this murderous tunnel called NOW.
That hope continued on 6th October ArtBeat staged it’s first proper gig since 2019.
Yay, TheZineUK Events Department is back, gonna be looking at 2022 wishfully staging events.
Brand new exciters, Helve, headlined an electric evening - again, movershakers like the above mentioned Jeanie, Monefa alongside Lisa of Knight PR, Paul Joyzine, the band’s (key) producer Harri Chambers (Yard Act etc) and the door host we love most, Sonja Amoretti in the house. This story would not be the same without them all.
Helve then picked up a last-minute, bigger stage show supporting The Howl & The Hum at the 500+ capacity Gorilla in Manchester a few days later and release the second part of their debut single, ‘Snakes And Ladders’ on 15th October before gracing Live At Leeds Festival . (Events Department works with various artists connected by interdependence and story telling. DIY promoting is part of the picture when music media is a different concept - especially in the last decade. Adapting daily).
A minute and a half of something very much happening - as we say - under the radar and over the rainbow. We can only point you in the direction of these artists and let you have your own opinion.
Friday 8th October, SHADE released a trippy-tempo-tangent new single ‘Fallen Skies’. It was produced by Gavin Monaghan at Magic Garden Studios in Wolverhampton (“the urban Rockfield” and released on Fear Records - another of the industrious independents)
Photography by Blue Shift Studios
Heard on telly (Champions League/BT Sport) it also received ‘Track Of The Day’ accolades, XS Manchester Radio playlist and is a bona fide iTunes chart Top 5.
Saturday 9th October, they triumphantly headlined Manchester’s Night & Day with This Feeling (who are celebrating fifteen years of shaping the music world, this month).
TF have supported the band from early doors (and via this, they play the inaugural Sound Sounds Festival next April). #2022soundslike it rocks, already! I’m not the only person I know who is cautiously looking forward again.
The Newer Wave is a post-lockdown reality of artists who would not be out of place on BBC’s Later With Jools Holland (but some of them have been captured Earlier: GET ON! with Roobi TV).
WHAT a harvest above and that’s just a (pre Ghost Road Fest in November and CroCroLand hitting Manchester on 5th December!) fraction.
Now imagine involving these interwoven, blossoming stories into movies and campaigns for people power and the planet. Now is the time. Have faith in their songs . Support their good souls. Find the media who review and interview them. As they interact, harvest the potential of Britain Ireland’s Roaring 20s soundtrack of NOW. The interdependent music industrious is ON.
I repeat…
EBGBs, Liverpool
The following was inspired by hearing this song which (for me) evokes images of a space ship in bright Bugeye grrrl colourful riot shades. It hovers above parks where humans are allowed outdoors, at main stage level and the band travel around lighting up hearts and souls into their brightest moves and shapes in their least-lockdown-look gear. It’s not more improbable than what passes for real life. Taken from their 2020 world class debut album, ‘Ready Steady Bang’ (Reckless Yes) and given a Duranesque feral energy of beats that turn your speakers or headphones into your personal nightclub. The LP is a year old this month. It’s a home grown classic in every sense.
If you want an entry point to the kindness, collaboration, gifted musical activism, artbeat and multi talent tasking that has made all the difference to the last few years, then newer wave faves, Bugeye, are your arts initiative point of call.
Download the song and all profits go to The Magpie Project community who help parents and young children at risk of homelessness. In a rich country, go figure. Poverty is something that more than a few of us can relate to.
Uniqulture: ‘Don’t Stop Reset’ Remix by Feral Five. Mastered by Paul Tipler. Art by 31% Wool.
Alongside founding involvement with Cro Cro Land (how to festival) and their always engaging Rock Pop Rambles podcast (recently endorsed by Radio X’s ace John Kennedy in Clash Magazine) there is a whole remix album to follow on July 9th! Bugeye are one of TheZineUK story fuelling power points - with stem-level tunes and musicality.
June 2021: Started the next picture book diary, recording a tiny fraction of TheZineUK interactions from mid April when lockdown started to unlock. Even in these few months it’s so obvious that misgovernment HATES music, musicians, music venues, music fans, music socials, music festivals, music education (for us “povs”), music tourism, live music and music festivals. It’s time that “hands in the air”, “singing along”, “buying music/merch” and “moshing” became sports. Music Fan Olympics are GO. As we emerge from our virtual yellow submarimes, far queue, blue meanies! *(Alien hearts ain’t too keen on women/womxn or even the planet, to be fair).
After the sold out Polarized Eyes headline, June 2021. Access All Ages Amersham Arms - Generation Tremorists power.
We are so obviously on our own, the parallel dimension where the biggest arts movements are soundtracked in the smallest venues. A genuine starmaker circuit that the selfservatives attempt to cull, consistently, for years now. In the last six years new possibilities and hopes have seeded against a backdrop of climate emergency. In the last five years kindness has proven itself a super power as hate multiplied five fold since the brexshit “win”.
School children see through the bullshit of Murderoch’s propaganda empire. (What has he GOT on the hisstablishment?). Adults who have “Seen/Done It All” ain’t so bright. I’m vintage and I think we are often just twats. Note how teen media editors Scarlet of Mash Zine and Arlo of Pint Sized Punk ain’t hung up on which decade musicians are born (that is SO last century!) but are inspirationally clued up on the music that they make. I dig that Punk Word Legend, Bruno Wizard said “punk is dead, let’s start something new” at Dizzy’s Bowie night (in, erm, Amersham Arms a few years ago), Gwan Generation Tremorists, all…
Kerrie & Angela Bugeye, with inspiring friends (including Kat Five of remi(n)xers, Feral Five) out in support of Kick Out The Jams, monthly music social June 2021. Amersham Arms is part of a nationwide grassroots circuit renaissance. Thank you Music Venue Trust.
2017’s rock n roll zeitgeist - where we shrugged off seeking interest, let alone approval, from the mainstream for a newer waver wave of generation tremorist graced, genre/gender fluid music industrious (r)evolution. Yeah, guitar bands ARE back. So what if they’re virtually banned from day time TV this century and the streets aren’t as clothing bright with music tribes - children got YouTube and don’t all see lying bully bigots as role models. The audiences are more reflective of the 21st century than profile artist/events based Arts Desks have experienced.
TheZineUK Punk Takeover of St Paul’s. The Blinders/485C after party AFTER party at Abbie McCarthy’s Good Karma Club and a cast and crew party on This Feeling Stage at Isle Of Wight Festival.
In all the noise we romance and giggle. It’s almost as if Earthlings are animals connected to a living organism planet that communicates with them through music and more, while celestial forces inspire water beings who also have weather (moods). Up yours, alien hearts.
Stick with the Zeenagers, we are hell bent on having FUN and may be as imperfect as any band, cos we are natureal - but we mean well and have LOVE at heart. ArtBeat heartbeat.
There is room for us all. Interdependent media support the artists that this new, skint, diverse, friendlier and rebelliously fun community recommend. We trickle up the talent, baby. Interdependent. Collaborative. Multi talent tasking. The #MusicPeopleParty years were born when Dizzy Spell used working class woman power wonders to learn website tech etc fro m scratch.Our allies complete the cast and crew picture. December 2017 first Party. Our friends, The Velvet Hands and Katie Owen topped and tailed the live music/DJ hosting).
laid some surreal, apocalyptic foundations …but so many wonderful campaigns and creations had pumped kindness and hope into the either, also.
A 2018 trip to Genesis Cinema (Eastenders Land) to see sparkle queens, Bugeye, play a Genesisters event with Lilith Ai and more at the L7 screening added a whole new tangent. In 2019 another musical trip to the movies with Simon Baker for his movie ‘90 Minutes’ produced by Rio Ferdinand and soundtracked by MOSES. Was it watching the Star Wars finale triple until the early hours, there, or their Chadwick Boseman display outside that endeared them? Either way, TheZineUK started 2020 with a collaboration of the Velvet Goldmine film, cocktails and photo session.
Season 3 of TheZineUK doc begins as humanity is adapting to the trauma of 2020 and 2021 Planet Earth (also on line, if they can afford it).
Ha, when you started a situationist tapestry about how good gigs can propel great potential and it turns into The Dystopian Rocky Horrow ShitShow.
Would always rather SEXit that Brexit. Compassion and courtesy are SO attractive that I fancy you all (good people). Onwards darlings, onwards, stay strong, we got this. Together. Don’t Stop.
It’s the 21st year of the 21st century and we’re trying everything to Revive Live amidst a barrage of bad news, environment fears, financial stress and then our mind/spirit-medicine; gigs and festivals, cancelled, postponed, cancelled, postponed, cancelled, postponed while the crime ring continue their herd immunity eugenics.
There’s more of a war cancelling culture and being aware, than there is (the destruction distraction of) “cancel culture”. Ain’t having it. Gotta ROCK, Gotta DANCE, Gotta LAUGH. Can’t hug? No problem. We’ve got a friend who is (literally) named Massive Hugs! amidst a cast, crew and story who often sound made up.
So we spend last month inspired by movies, by the live streams unification of Balcony Festival last year and having Music Venue Trust as our actual government since 2014. The force is strong in all of us and we have the very best tunes and pop stars. Yeah, you heard me, STARS. I don’t know the name of every bint in the sky but they still all twinkle. The Music People Party will be a multi dimensional December and we have no idea how it will need to be staged but as a Twitter survivor I know we will try to find a way to share JOY. come with. Don’t Stop.
Music Tourism: “The brilliant thing about a Bugeye tour is that no stage style is too glam to wear while shimmying to their sparkling Top Of The Pops/BBC Later-worth alternative art rock disco punk!” @TheZineUK tweet 29th June. Truth.
Tickets are on sale - NOW! Ready Steady Bang! https://linktr.ee/bugeye - photography by Keira Cullinane (bring your own spaceships)