From Dungannon in the North of Ireland to radio play, appearing on festival stages, movie soundtracks, great reviews so far, and - to great response - premiering some of the new MOSES album in USA last year, a unique musical journey continues.
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SHADE, EBGS, Liverpool Sound City Festival, 2 October 2021
Many musicians have 2022 plans pencilled since “post-lockdown” days. TheZineUK doc’s most recent pix-diary - July 2021 (thank you for the many reads, already) - felt like a new dawn.
Whether it was the necessity for heroic England FC to lose THAT historic match and open truth gates, or how Generation Tremorists are super-glued into this tapestry.
All ages, backgrounds and ability fused with all arts (i.e. “Nature”) = uniqulture in genre-fluid ACTion.
Here’s a live version of their newly released single, ‘Silence Of The Night’. The one-band dramarock scene are a gateway into the grassroots music (r)Evolution. Also, this summer, they were to be found supportively in the audience of their peers. Musicians, creators, connectors - organically they rise. Get Tiger Mimic on your #2022SoundsLike radar.
In the July issue, Tech (Flare Audio) and Industry (Music Venue Trust) threads are woven with Tim Burgess’s Twitter Listening Parties into must have audio-joy headphones (OK, we just photographed Tim through a window at The Great Escape 2017, but hey - it’s all meant to be).
Situationist magick also gifted us an early Freedom Day at SNCFest. Music world’s Jean Genie, is “The Bringer Of Sunshine”. She really did inspire warmth THAT hot, hot weekend! JG is so key to the new music scenes that this is key to our documenting. July’s saw Manchester’s SHADE start to bloom and lovely Denise Johnson never forgotten (while she also helped raise over £18,000 for Music Venue Trust).
TheZineUK story has declared an Interdependent Music Industrious. The elements consistently prove themselves. Sussex/Kent’s End Of The Trail and Kick Out The Jams are increasingly industry/media hook up hang outs - and more of us getting away from our home towns again. Check out the multi-tasking energy pulsing from Weekend Recovery as a great example.
Bruvs out supporting the sisters-fronted-pop star turns (Cruel Hearts Club, Cat SFX, Kin and Mango In Euphoria) who were playing Kick Out The Jams that evening. Ace to see The Gulps, Alan McGee and Carl Barat back at ArtBeat HQ (Amersham Arms) - amidst a flock of flock of industry and media. (Carl is also the venue’s Halloween DJ).
Louise Schofield and Megan Wyn, mid September 2021, This Feeling at Isle Of Wight Festival.
In September, July’s cover star, Louise Schofield, conducted a series of chats for TheZineUK at Isle Of Wight Festival’s buzzing (and then some!) This Feeling Stage - where she also DJd.
A theme of 2021 interviews from TF’s Zone is the artists talking about the art pumped newer wave of industry mixing DIY with ethics and opportunities.
Isle Of Wight Fest head, John Giddings, acknowledges This Feeling being a rung on the ladder for artists towards bigger stages.
To The Chase, Spyres, Lock-In and The Skinner Brothers interviews the Zine And Heard playlist has been updated with Tom Lumley & The Brave Liaison and Megan Wyn conversations. What is all this if not giving hope to the near future?
This month, the (very hard working and very modern) Louise - also presented for our friends, Modern Age, at SOMA Festival and for Modern Sky at Sound City Festival - then, at Manchester’s The Yard, now hosts her own music show, Spill The Sound (first guest is Julia Bardo). Joe Cross (The Courteeners) composed the defining theme music. Interdependent.
“Lullaby Lou” is a gateway into what’s really going on - as is another of our crew, Monefa Walker, who graced September with such an awesome observation: “Let Me Tell You About Artists” - click this link for the full post, it’s a 2021 classic)
Our writer and punky Music People Party host - Monefa Walker - became a released, classical music recording artist this year (on Anita Maj’s Lil Minx Records). Keira Annee photography
Continuing to cut n paste n report, especially over the last two years has created a new, super hero cross breed of emerging artists in TheZineUK.
The cast and crew keeps growing through ups and downs, life and death, changes, failures and achievements for all of us.
Aaaahh… All those cutie pie baby faces, new to this world, courtesy of our friends, urge us to keep making as much wonder in the world as possible for decades of generation tremorists and love for children of all ages.
On the artist side, everybody is brand new again from mid July 2021 and TheZineUK, as a community of creatives, is so here for it.
Big up the high profile media getting involved over the last couple of years (NME with Music Venue Trust and the FAC, while featuring rising stars Nova Twins and Bob Vylan) who are also connected to both of these essential industry shakers - (both bands have also played Amersham Arms - the latter at this weekend’s punk rocked, New Cross wide #TillTheFest).
As Diary/Events Department, I’ve lived through decades when these talents/TheZineUK team weren’t yet born - I assure you NOBODY has “seen/heard it all before”, only tedious fuckwits imagine that. Note how generation tremorists like Pint Sized Punk and MASHZINE (who stage a show in New Cross on 19th October) ain’t hung up on stale journalism values.
This year, via End Of The Trail, Roobi TV, Amersham Arms and Sound City, I’ve found myself (again!) grinning in the audience of a Polarized Eyes gig. (It’s not an accident, it’s LOVE!)
Me me me. Continued. From August to October I’ve adventured outta Deptford Fun City! It’s so emotional to return to cities that I’ve been free to visit all my life pre-pandemic. So many memories flood the senses. There are myriad artists at all levels, to soundtrack our times (including a 2022 Billie Eilish Glastonbury headline set).
TheZineUK day out, Friday 1st October!
Not a pic of the Manics but a reminder of the thrilled anticipation I was feeling, just going to the bar before their set.
(Dizzy Spell - TheZineUK Editor (NHS professional who also became a released recording artist this year) and myself Caffy - Events Department).
We were time out gal pals in Stoke On Trent for the Manics (thank you our Gill for the tickets and a right royal view).
We sang our hearts out to a rock band with decades of chart hits on top of their entertaining, and ever politically relevant, poignant, national treasure game).
Melancholic new album, ‘The Ultra Vivid Lament’, is affecting - yet uplifting.
Look out for actual Manics images in the next issues from our fab Dead End Doll, Lorna Cort (whose photography graces the Manic Street Preachers special edition of Record Collector). Gwan Zeenagers!
Oliver Clare of SHADE assisting MOSES with the kit at Sound City Festival. End Of The Trail - another industry shaker with opportunies.
I was at the buzzy AF End Of The Trail Sound City Festival stage - friendly faces and fun in EBGBs - WITH guitars.
Some of us were documenting the near future of Ones To Watch off stage in the rain, between the live sets, also.
Results coming in for ALL the line up of that day (and I’m only writing this ten days later!)
I came back from Liverpool seeing light at the end of this murderous tunnel called NOW.
That hope continued on 6th October ArtBeat staged it’s first proper gig since 2019.
Yay, TheZineUK Events Department is back, gonna be looking at 2022 wishfully staging events.
Brand new exciters, Helve, headlined an electric evening - again, movershakers like the above mentioned Jeanie, Monefa alongside Lisa of Knight PR, Paul Joyzine, the band’s (key) producer Harri Chambers (Yard Act etc) and the door host we love most, Sonja Amoretti in the house. This story would not be the same without them all.
Helve then picked up a last-minute, bigger stage show supporting The Howl & The Hum at the 500+ capacity Gorilla in Manchester a few days later and release the second part of their debut single, ‘Snakes And Ladders’ on 15th October before gracing Live At Leeds Festival . (Events Department works with various artists connected by interdependence and story telling. DIY promoting is part of the picture when music media is a different concept - especially in the last decade. Adapting daily).
A minute and a half of something very much happening - as we say - under the radar and over the rainbow. We can only point you in the direction of these artists and let you have your own opinion.
Friday 8th October, SHADE released a trippy-tempo-tangent new single ‘Fallen Skies’. It was produced by Gavin Monaghan at Magic Garden Studios in Wolverhampton (“the urban Rockfield” and released on Fear Records - another of the industrious independents)
Photography by Blue Shift Studios
Heard on telly (Champions League/BT Sport) it also received ‘Track Of The Day’ accolades, XS Manchester Radio playlist and is a bona fide iTunes chart Top 5.
Saturday 9th October, they triumphantly headlined Manchester’s Night & Day with This Feeling (who are celebrating fifteen years of shaping the music world, this month).
TF have supported the band from early doors (and via this, they play the inaugural Sound Sounds Festival next April). #2022soundslike it rocks, already! I’m not the only person I know who is cautiously looking forward again.
The Newer Wave is a post-lockdown reality of artists who would not be out of place on BBC’s Later With Jools Holland (but some of them have been captured Earlier: GET ON! with Roobi TV).
WHAT a harvest above and that’s just a (pre Ghost Road Fest in November and CroCroLand hitting Manchester on 5th December!) fraction.
Now imagine involving these interwoven, blossoming stories into movies and campaigns for people power and the planet. Now is the time. Have faith in their songs . Support their good souls. Find the media who review and interview them. As they interact, harvest the potential of Britain Ireland’s Roaring 20s soundtrack of NOW. The interdependent music industrious is ON.
I repeat…
EBGBs, Liverpool
TheZineUK collective cast and crew have documented Broken Britain’s creative buzz for Six Years. Their “Fertile Environment” is blooming against the increasing odds, researched proof that creative industries ARE viable. #WeMakeEvents
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