Don’t stop starts the Music People Party

Cue BUGEYE’s ‘Don’t Stop Reset’ remix by FERAL FIVE

Download or stream via https://kycker.ffm.to/dontstop * Lift your heart and soul - maybe with some glam disco moves.

The following was inspired by hearing this song which (for me) evokes images of a space ship in bright Bugeye grrrl colourful riot shades. It hovers above parks where humans are allowed outdoors, at main stage level and the band travel around lighting up hearts and souls into their brightest moves and shapes in their least-lockdown-look gear. It’s not more improbable than what passes for real life. Taken from their 2020 world class debut album, ‘Ready Steady Bang’ (Reckless Yes) and given a Duranesque feral energy of beats that turn your speakers or headphones into your personal nightclub. The LP is a year old this month. It’s a home grown classic in every sense.

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If you want an entry point to the kindness, collaboration, gifted musical activism, artbeat and multi talent tasking that has made all the difference to the last few years, then newer wave faves, Bugeye, are your arts initiative point of call.

Download the song and all profits go to The Magpie Project community who help parents and young children at risk of homelessness. In a rich country, go figure. Poverty is something that more than a few of us can relate to.

Uniqulture: ‘Don’t Stop Reset’ Remix by Feral Five. Mastered by Paul Tipler. Art by 31% Wool.

Alongside founding involvement with Cro Cro Land (how to festival) and their always engaging Rock Pop Rambles podcast (recently endorsed by Radio X’s ace John Kennedy in Clash Magazine) there is a whole remix album to follow on July 9th! Bugeye are one of TheZineUK story fuelling power points - with stem-level tunes and musicality.

Inspired by the above (further doc update below)

June 2021: Started the next picture book diary, recording a tiny fraction of TheZineUK interactions from mid April when lockdown started to unlock. Even in these few months it’s so obvious that misgovernment HATES music, musicians, music venues, music fans, music socials, music festivals, music education (for us “povs”), music tourism, live music and music festivals. It’s time that “hands in the air”, “singing along”, “buying music/merch” and “moshing” became sports. Music Fan Olympics are GO. As we emerge from our virtual yellow submarimes, far queue, blue meanies! *(Alien hearts ain’t too keen on women/womxn or even the planet, to be fair).

After the sold out Polarized Eyes headline, June 2021. Access All Ages Amersham Arms - Generation Tremorists power.

After the sold out Polarized Eyes headline, June 2021. Access All Ages Amersham Arms - Generation Tremorists power.

We are so obviously on our own, the parallel dimension where the biggest arts movements are soundtracked in the smallest venues. A genuine starmaker circuit that the selfservatives attempt to cull, consistently, for years now. In the last six years new possibilities and hopes have seeded against a backdrop of climate emergency. In the last five years kindness has proven itself a super power as hate multiplied five fold since the brexshit “win”.

School children see through the bullshit of Murderoch’s propaganda empire. (What has he GOT on the hisstablishment?). Adults who have “Seen/Done It All” ain’t so bright. I’m vintage and I think we are often just twats. Note how teen media editors Scarlet of Mash Zine and Arlo of Pint Sized Punk ain’t hung up on which decade musicians are born (that is SO last century!) but are inspirationally clued up on the music that they make. I dig that Punk Word Legend, Bruno Wizard said “punk is dead, let’s start something new” at Dizzy’s Bowie night (in, erm, Amersham Arms a few years ago), Gwan Generation Tremorists, all…

Kerrie & Angela Bugeye, with inspiring friends (including Kat Five of remi(n)xers, Feral Five) out in support of Kick Out The Jams, monthly music social June 2021. Amersham Arms is part of a nationwide grassroots circuit renaissance. Thank you Music Venue Trust.

Kerrie & Angela Bugeye, with inspiring friends (including Kat Five of remi(n)xers, Feral Five) out in support of Kick Out The Jams, monthly music social June 2021. Amersham Arms is part of a nationwide grassroots circuit renaissance. Thank you Music Venue Trust.

Time travel

2017’s rock n roll zeitgeist - where we shrugged off seeking interest, let alone approval, from the mainstream for a newer waver wave of generation tremorist graced, genre/gender fluid music industrious (r)evolution. Yeah, guitar bands ARE back. So what if they’re virtually banned from day time TV this century and the streets aren’t as clothing bright with music tribes - children got YouTube and don’t all see lying bully bigots as role models. The audiences are more reflective of the 21st century than profile artist/events based Arts Desks have experienced.

TheZineUK Punk Takeover of St Paul’s. The Blinders/485C after party AFTER party at Abbie McCarthy’s Good Karma Club and a cast and crew party on This Feeling Stage at Isle Of Wight Festival.

TheZineUK Punk Takeover of St Paul’s. The Blinders/485C after party AFTER party at Abbie McCarthy’s Good Karma Club and a cast and crew party on This Feeling Stage at Isle Of Wight Festival.

In all the noise we romance and giggle. It’s almost as if Earthlings are animals connected to a living organism planet that communicates with them through music and more, while celestial forces inspire water beings who also have weather (moods). Up yours, alien hearts.

Stick with the Zeenagers, we are hell bent on having FUN and may be as imperfect as any band, cos we are natureal - but we mean well and have LOVE at heart. ArtBeat heartbeat.

There is room for us all. Interdependent media support the artists that this new, skint, diverse, friendlier and rebelliously fun community recommend. We trickle up the talent, baby. Interdependent. Collaborative. Multi talent tasking. The #MusicPeopleParty years were born when Dizzy Spell used working class woman power wonders to learn website tech etc fro m scratch.Our allies complete the cast and crew picture. December 2017 first Party. Our friends, The Velvet Hands and Katie Owen topped and tailed the live music/DJ hosting).

Season 2 of TheZineUK doc (2018 onwards)

laid some surreal, apocalyptic foundations …but so many wonderful campaigns and creations had pumped kindness and hope into the either, also.

A 2018 trip to Genesis Cinema (Eastenders Land) to see sparkle queens, Bugeye, play a Genesisters event with Lilith Ai and more at the L7 screening added a whole new tangent. In 2019 another musical trip to the movies with Simon Baker for his movie ‘90 Minutes’ produced by Rio Ferdinand and soundtracked by MOSES. Was it watching the Star Wars finale triple until the early hours, there, or their Chadwick Boseman display outside that endeared them? Either way, TheZineUK started 2020 with a collaboration of the Velvet Goldmine film, cocktails and photo session.

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Season 3 of TheZineUK doc begins as humanity is adapting to the trauma of 2020 and 2021 Planet Earth (also on line, if they can afford it).

Ha, when you started a situationist tapestry about how good gigs can propel great potential and it turns into The Dystopian Rocky Horrow ShitShow.

Would always rather SEXit that Brexit. Compassion and courtesy are SO attractive that I fancy you all (good people). Onwards darlings, onwards, stay strong, we got this. Together. Don’t Stop.

July 2021: Goodbye Yellow Brick Road. Hallo Bright Pink Catwalk.

It’s the 21st year of the 21st century and we’re trying everything to Revive Live amidst a barrage of bad news, environment fears, financial stress and then our mind/spirit-medicine; gigs and festivals, cancelled, postponed, cancelled, postponed, cancelled, postponed while the crime ring continue their herd immunity eugenics.

There’s more of a war cancelling culture and being aware, than there is (the destruction distraction of) “cancel culture”. Ain’t having it. Gotta ROCK, Gotta DANCE, Gotta LAUGH. Can’t hug? No problem. We’ve got a friend who is (literally) named Massive Hugs! amidst a cast, crew and story who often sound made up.

So we spend last month inspired by movies, by the live streams unification of Balcony Festival last year and having Music Venue Trust as our actual government since 2014. The force is strong in all of us and we have the very best tunes and pop stars. Yeah, you heard me, STARS. I don’t know the name of every bint in the sky but they still all twinkle. The Music People Party will be a multi dimensional December and we have no idea how it will need to be staged but as a Twitter survivor I know we will try to find a way to share JOY. come with. Don’t Stop.

Music Tourism: “The brilliant thing about a Bugeye tour is that no stage style is too glam to wear while shimmying to their sparkling Top Of The Pops/BBC Later-worth alternative art rock disco punk!” @TheZineUK tweet 29th June. Truth.

Tickets are on sale - NOW! Ready Steady Bang! https://linktr.ee/bugeye - photography by Keira Cullinane (bring your own spaceships)

Tickets are on sale - NOW! Ready Steady Bang! https://linktr.ee/bugeye - photography by Keira Cullinane (bring your own spaceships)

Generation Tremorists: True Media

Fake News is the reality of now but it leaves us colder than a tory’s heart. Mainstream has a smattering of underground scenes but with their next level ones to watch, skint DIY stars rising, against the odds, under radar are still missing out after a decade of “austerity” (posho-heist). Worse since lockdown. - and their circuit is on thin ice.

Is that not a music movement story of sufficient depth? Grime Britain has got the media/industry measure and taken it’s own reins. Rocking art punk sensibility is on the wavelength of urban beats as genres, genders, generations and generalisations are destroyed by big songs and thrills.

Escapism is best served with the passion powered energy and insight that True News is made of. Never fear, teens are here. Phew, (June 2021) because I’m writing this six months after accidentally publishing the draft like a mad nana on that there interwebby!

Scarlet is editor of Mash Zine A start up independent based on a mash up of MUSIC, ART , SEX and PHOTO’S

Scarlet is editor of Mash Zine A start up independent based on a mash up of MUSIC, ART , SEX and PHOTO’S

While the mainstream debate appropriations like ‘cancel culture’ and ‘woke’ or ponder where the unrepresented are, the newer wave of generation tremorists are just getting on with being a spectrum of humanity.

These are just some of the zines, podcasts social media, ideas, editors and promoters who have felt like part of my personal 2020 experience.

For instnce Mash Zine was also started in 2020 by teen editor, Scarlet Hall, (pictured) through an obsession with art, fashion and music spanning from the 60s to the 90’s” (click here for more)

It is so well done and an insightful read. Zines also make ace travelling companions if, like me, you dig travelling outta town for musical adventures. None of that this year, though!

I’m just well impressed with another 2020 start up and enjoyed Arlo’s recent appearance on the R*E*P*E*A*T fanzine debate as generation tremorists of influential 20th and 21st century zines came together.

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Pint-Sized Punk Zine is very well written, presented and marketed monthly with interviews and reviews. It’s a junior school student’s guide to life and music. Born in Lockdown 2020 when Arlo was 10. He loves gigs, loud music, comics and watching Marvel/Star Wars.

It mixes Art, Punk, Opinion and the thrill of it all.

Zines and Merchandise via https://pintsizedpunkzine.bandcamp.com/

Fucked Off and/or Turned On duck n divers thrill arts of all kinds and TheZineUK’s cast and crew of creators have supported the story of under radar artists rising. Maybe the world can’t tell as we lockdown in dystopian darkness but there is so much fun and laughter from sociable live music scenes that translates to social media.

For instance, Sahera Walker’s print issues of Some Might Say with outstanding live music launch parties and now sparkling Brick Lane’s Werkhaus. Elly Bailey’s wonderful articles and images gracing her Generation Why? zines and shows. In print for posterity with issues selling out because there is an audience for the new rock n roll.

I accidentally published this before I’d finished writing it, only noticed when I saw Scarlet’s instagram, ah never mind but now (February 2021) this article makes better sense, so I’ve updated it.

The old guard of music press have stepped aside for new tribes of music collectors, gigsters, writers, photographers, film makers and promoters to cross breed and raise profile alongside their recommendations. We love to see our contributors rise. Susan Hansen and Louise Schofield are two of the most in demand multi media music journalists.

Previously mentioned that TheZineUK’s own crew are key media who have moved on to head up great mediain their own right at Ragged Cult, Why Generation? and Rupert Hitchcox is at Joyzine. Our writers, photographers and film makers are also multi talented creators and performers across the spectrum.

My skill is a bit limited to making good comfort food and being able to make friends with some horses but my spelling is good enough for this to make sense, so win win! My ears aren’t bad at knowing what they like and Podcasts have been a vital communication - of 2020 especially. It’s also been extra special to see so many stars of this tale becoming more personal to us, whether by the intimacy of live stream performances or by adding to our radio experiences.

The Dorising Podcast by IDoris features great chats and sets from Loud Women faves including, so far Debbie Smith, Stephanie Philliops of Big Joanie, Sarah Lay (Reckless Yes Records). Podbean, Apple, Google and Spotify

Music lovers with the inside knowledge are where you are gonna find some of the best gossip and engaging conversations.

2020 ended with TheZineUK repping on the arts advocacy show, Cool Thing Presents on Soho Radio, presented by Luke Branch of Asylums and Hayley Hill of Cool Thing Records.

2021 started with the brilliant #RockPopRambles by Bugeye being one of five podcasts recommended by the music guru, John Kennedy, for Clash Magazine. Previously mentioned in this documentary, it’s really become a landmark show.

Chat The Great podcast has informal, behind the scenes conversations with respected names from all backgrounds and is almost a free biz studies course in it’s own right, packed with anecdotes and tips from movershakers like you’re down the pub with them or putting the world to rights in the early hours after a show when all the real things come out. https://www.chatthegreat.com/